Nothing to Prove

Why yes, Virginia, I did enjoy Captain Marvel yesterday.

Now, there’s no need for me to do a full-on review: there’s enough examples of that out in the wilds of the Internet. In case you need them, here’s some recommended links:

  • Peter Travers’s review in Rolling Stone
  • Owen Gleiberman’s review for Variety
  • Alex Abad-Santos’s coverage in Vox about sexist responses to the film, in the larger context of similar buffoonery around Star Wars: The Last Jedi and other genre flicks

Instead, I’m going to focus on one small moment, recounted in as spoiler-free a fashion as I can manage.

Continue reading “Nothing to Prove”

Acts of Courage

And, as with other news stories in past weeks and months, I am returning to Emma Watson’s address at the UN on Saturday for another piece of discussion, through another lens of analysis.

I know that during the time I am returning again and again to this particular well, that there are many other stories I am leaving untold — it is that fact which sometimes leads me to have such vivid fantasies of winning the mega-millions and writing all the livelong day. Nevertheless, I find for myself that there is a value in looking deeply at one event from multiple lenses, rather than always popcorning to report on event after event according to the formula so brilliantly summed up by Kate Harding, back when she shuttered up Shapely Prose:

By last spring, I became increasingly aware that I was doing a lot of “Stock Intro A + Stock Feminism/Fat Acceptance Points B and C + Free-Form Outrage Interlude + Stock Conclusion D = done for the day,” and that is really not the kind of writing I want to be doing.

Rather than throwing myself over too strongly into “wind-up doll of feminist outrage mode,” I believe that by looking deeply at the multiple facets of one thing, I am sometimes better able to point to all the unconscious workings and cultural patternings that so interest me about the world and the patriarchy.

(And by “so interest me,” I mean “that I hope to name clearly in the vain hope that speaking the name of the Thing forces it to magically self-destruct like in the fairy tales.“)

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An Invitation to the Table

Emma Watson spoke at the UN General Headquarters yesterday. In her capacity as UN Women Goodwill Ambassador — a role to which she was appointed (invited?) in July — Watson was there to launch the HeForShe campaign, which describes itself as

a solidarity movement for gender equality that brings together one half of humanity in support of the other [half?] of humanity, for the entirety of humanity.

Or, in simpler (and more idiosyncratic) phrasing: we’re in this patriarchal soup together, and together we have a better chance of getting to the next level of cultural evolution.

Continue reading “An Invitation to the Table”

Many Hands Make Light(er) Work

I am usually able to sustain a pace of approximately one essay per day here on JALC. Certainly, I have fantasies of writing lots more than that: sometimes those fantasies express themselves in the desire to write shorter or faster posts — which is probably obvious, considering the number of times I (falsely) promise at a post’s outset to write something quick. Usually, though, these fantasies take the shape of the “megamillions dream” — the notion of suddenly, magically having enough financial resource that I could stop working for other people’s companies and instead write all day.  The interesting thing, as I’ve been studying these fantasies, is that I’m not in any self-delusion about the writing being quick and effortless.

i_poop_rainbowsI can’t find it now, but I remember reading some snarky-brilliant quote once about how “everyone wants to have written a novel, but very few people actually want to do the work of writing said novel.” I get that writing take work. Between research, drafting, outlining, writing, editing, and posting, I usually spend between 2-3 hours per night here on JALC. So I’m not imagining that essays will magically spring from my typing fingers like unicorns shitting rainbows. However, the thought of having 10-12 hours a day I could devote to those tasks, and the idea of what I could produce in that sort of space? I cannot deny it’s a seductive notion.

Continue reading “Many Hands Make Light(er) Work”

Peeping Thomas

Tucked in the back of the Philadelphia Art Museum‘s modern galleries is a peculiar, enigmatic piece by Marcel Duchamp. Etant donnes was the artist’s final work*: he spent the final two decades of his life working on the piece after telling the world that he had retired from art-making. Upon his death, the work was discovered and, as per the stipulations of Duchamp’s will, installed at the PMA never to be moved or lent out to other sites.

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Valhalla was Co-Ed

QUICK HIT: The choir season starts up again tonight, which means my Wednesday posts for the foreseeable future will have to be:

  1. Pre-written and scheduled
  2. Quick and somewhat insubtantial
  3. Non-existent in a “night off” kind of way)

Obviously, today I’ve chosen option 2. Well, not entirely obviously, since I could have pre-written and scheduled this post. But trust me: I didn’t do that. Because my life and to-do list are not currently at such a level of organization and under-controlness. I’d love to tell you otherwise, but I don’t have it in my to maintain that level of facade.

Where was I? Oh yeah: QUICK HIT tonight. In more ways than one. (Go below the fold to see what I mean…)

Continue reading “Valhalla was Co-Ed”

Not Flawless, but Feminist

I watched the first 20 minutes or so of last week’s VMAs on the night of the telecast, using the miracle of DVR-time-shifting to watch a small bit of the ceremony after the True Blood finale concluded. And even though I wasn’t wearing my pre-cog goggles, I will say that the performances I watched had a bit of a feeling of prelude about them. Like I couldn’t have told you what the main event was going to be, but those opening acts most certainly were not it.

Continue reading “Not Flawless, but Feminist”

Avert Your Eyes

I lead a strange sort of double-life when it comes to things popular and pop-culture-like. On the one hand, I feel as if I live my life on the “geek culture” fringe — as evidenced, I’m sure, by past references to Comic-Con staples like Joss Whedon, True Blood and Game of Thrones. There’s lots of big “mainstream” hits and trends — Survivor, American Idol, Real Housewives all spring to mind — which have in their own time and place saturated the airwaves, and yet which I have never ever seen. Quite frankly, sometimes my monastic schedule, with its endless cycle of work, write, study, sleep, even keeps me from staying up-to-date on geek culture. (This many weeks later, and I still haven’t seen Guardians of the Galaxy. Guess that’s another membership card I’ll be handing in…)

On the other hand, my continued engagement with mainstream morning news (GMA) and print journalism (Entertainment Weekly) means I have a pretty good sense of what the pop culture trends and happenings are, moment to moment.

Continue reading “Avert Your Eyes”

On Porn and “Potterotica”

I guess it’s my week to talk about sexualized body parts?

This Button Poetry video from this year’s National Poetry Slam caught my attention yesterday:

The title of Brenna Twohy’s spoken-word poem Fantastic Breasts and Where to Find Them is a punnish play on the title of a volume about the Potter-verse, Fantastic Beasts and Where to Find Them (emphasis added), published by J.K. Rowling some years ago as a companion to the 7-book saga of “the boy who lived.”

Twohy articulated the goal of her poem to Buzzfeed thusly:

I wanted to highlight how unrealistic most pornography’s portrayal of sex is, and how that creates really damaging expectations for both men and women.

twohy-ask-me-whatMission accomplished (at least for the most part) to hilarious and devastating effect. Particularly pointed is Twohy’s observation that a taste for fan-fiction erotica is to be considered “unrealistic” — while mainstream porn is somehow seen as more real. Which is about as laughable a deception as I’ve heard since… well, unfortunately, just since yesterday, when folks were declaring that public breast-feeding is immoral. (Seriously, y’all. The patriarchy just needs to shut up and die in a fire. Now.)

In yesterday’s Independent, Jonathan Owen discusses a recent poll of British teenagers that reveals:

the majority [of poll participants] warn of the “damaging” and “addictive” effect of sexual images and videos readily available online. 80 per cent say it is too easy for young people to stumble across it and most recall “accessing pornography was seen as typical” while they were at school.

At least 70 per cent agree that “pornography leads to unrealistic attitudes to sex” and “can have a damaging impact” on views of sex or relationships.

A quick visit to Professor Google turned up a wealth of other articles unpacking the sexual myths and unrealistic expectations fostered by the mainstream porn industry. For example:

The gist of all these different articles is perhaps most entertainingly summarized by Noah Brand and Ozy Frantz in Alternet:

The problem is, learning about sex from porn is like learning about firearms from action movies. Action movies sacrifice realism for the sake of storyline or a really cool explosion. Action movies don’t teach you gun safety. Action movies don’t talk about alternatives to violence. And action movies use some tropes—such as the infinite ammo supply—that may move the story along but don’t reflect reality. That’s not a problem, as long as everyone treats them as entertaining fantasies.

Unfortunately, for many young people becoming sexually active today, the entertaining fantasies of mainstream porn are the teacher they’ve spent the most time with, and mainstream porn is a terrible teacher.

Even more than the general unrealistic nature of mainstream pornography, Twohy chooses to highlight a particular strain of misogyny and violence against women that runs through so many adult films.

[SIDEBAR] I will admit to having some level of discomfort over a piece that lambastes porn culture for allowing men to fantasize about sex with barely-legal teens while offering — however ironically — the “more empowering” alternative of a book series where the main characters are under-18 for a majority of the time. Also, having quickly perused some of the titles and advertised pairings in the “mature” section of the Harry Potter stories on fanfiction.net, I see the potential for a lot of uncomfortable power dynamics (Snape & Hermione) and Stockholm syndrome (Draco & oh, everybody).** Blurred lines of consent all over the place… [/SIDEBAR]

Nonetheless, the general thrust*** of Twohy’s piece feels really true and honest and on-point about the culture that mainstream porn participates in and which it helps perpetuate. To quote HuffPo (who also quotes part of Twohy’s poem):

a 2010 Violence Against Women study found that 90 percent of porn video content online and off included verbal or physical aggression towards women.

“I know a slaughterhouse when I see one,” Twohy says of the porn industry. “It looks like 24/7 live streaming, reminding me that men are going to fuck me whether I like it or not, that there is one use for my mouth and it is not speaking, that a man is his most powerful when he’s got a woman by the hair.”

Twohy suggests that the “slaughterhouse,” an uneasy analogy where the slicing instruments aren’t knives but part of a video editing suite, does more than just provide shots of women’s segmented body parts. It also creates a culture where domestic violence isn’t only expected, but accepted.

And more than that, Twohy steps — for an uncomfortable, searingly honest moment — into the ways that we all internalize these messages about how men and women are expected to perform in romantic and sexual situations — men, rough, cruel, aggressive; women, compliant and sex kittenish.

The first time a man I loved held me by the wrists and called me a whore, I did not think “Run.” I thought, “This is just like the movies.”

I have seen that training, on film and in real life.

It everybody fucks over, the patriarchy does.

* Yes, I dare say it has.

** You know how yesterday I took a bullet and read the comments sections on things so you wouldn’t have to? That favor-doing stops tonight — I was not going down that particular rabbit hole. Not for anything.

*** Sorry, couldn’t resist.

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Image credit: http://iwatchforsasha.tumblr.com/post/95066205780/fantastic-breasts-and-where-to-find-them

 

 

Form vs. Function

So, as someone who is child-free by choice, I’ve had an informal policy of staying as far away from the “mommy wars” as it is possible for me to stay. Breast-feeding vs. formula, maintaining external employment vs. becoming a stay-at-home-mom, “mainstream” product choices vs. natural/organic ones — every choice has its costs and benefits, and every mother has her own unique circumstance that leads to a particular set of choices (some of which may even be forced-choices determined by economic or other constraints).

Since I have never faced these choices and I am never walking a mile in these particular stirrups, my general approach has been to hold an attitude of respect for each mother and her parenting choices,* on the belief that each mom is doing the best she can in any given moment.

But then there’s that moment when the mommy wars play out very personally in the life of someone in my circle of acquaintance:

Ingrid Wiese-Hesson was shopping at an Anthropologie store in Beverly Hills when her 6-week-old son, Xavier, began crying because he was hungry.

Wiese-Hesson then sat down in the store to breastfeed the infant, and that was when the store’s manager reportedly intervened.

“The exact words to me were ‘I’m here to escort you to the ladies room so that you can finish breastfeeding’,” Wiese-Hesson said. “She opened up the bathroom, and she said ‘sorry, there’s no chair’, and of course the only thing in the bathroom was the toilet seat.” (CBS Los Angeles)

Ingrid posted her experience on Facebook and it blew up and went viral almost instantly (as one might guess from seeing the clip from last night’s 11’o’clock news).  More details and slices of analysis are available at a number of places online, including information about a “nurse-in” that took place today in the store (LAist); an AdWeek post that connects the uncomfortable dots between this real-life incident and a recent student-designed public awareness campaign aimed at preventing exactly this sort of harassment; and a CBS Money Watch post that gives really good snark:

At high-end retailer Anthropologie, shoppers can select from body-baring items like its $118 see-through Gladiolus Sheer Silk Blouse. But when it comes to breastfeeding, one store location deemed a woman was showing just too much of her body.

Assuming AdWeek’s excerpt from and analysis of CA state law is on-point —

The Anthropologie manager’s actions were not just unwise, they were also in violation of Hesson’s legal rights. From the California Civil Code: “Notwithstanding any other provision of law, a mother may breastfeed her child in any location, public or private, except the private home or residence of another, where the mother and the child are otherwise authorized to be present.”

— then there’s a certain open-and-shut nature to the legal question here. Ingrid was absolutely, 100% within her rights to breastfeed her son in the Anthropologie store, and the store manager broke the damn law by  interrupting her and escorting her to the bathroom.

david-horsey-breastfeeding-moms-20120705-001So I’m going to set the legal question aside from now and just let my mind boggle from the fucking insanity of this all. What rational and reasonable objection would anyone have to a woman breast-feeding her six-week-old baby?

Answer: objections a-plenty, but nothing rational or reasonable, as far as I can tell. I know the first rule of following feminist stories in mass-market media sites is “don’t read the comments!” — well, I did, so you don’t have to. (Taking one for the team.) There were a few different rhetorical tactics, but objections pretty much all fell into being one flavor or another of this: breastfeeding should be done in private because it’s immoral/unseemly/inappropriate for it to be seen in public.

And here’s where I go into a sputtering place of incoherent rage and puzzlement. Because, to paraphrase Henry Rollins when talking about racism: these folks are tripping over an entry-level concept, a curb about 6 inches high. It’s inappropriate to publicly use your boobs to feed an infant? Feeding babies is actually the main purpose for which women’s breasts were invented! How can it be deemed immoral for babies to be fed in public?

Because, as Anna Quindlen said way back in 1994:

[T]he subtext of the public breast-feeding battle is the inability to make a distinction between what is female and what is sexual, what is indecent and what is utilitarian. And maybe it’s epitomized in a letter that The Albany Times-Union got from an irate citizen who asked whether women who nursed in public would be having sex on the streets as well, as though the connection between nursing and fornication was self-evident.

(Yes, 1994. Twenty years ago. The more things change, the more they fucking don’t.)

After all, I bet no one would object to a baby being bottle fed in public, and I bet the same judgmental asshats complaining so voraciously about Ingrid’s choice to publicly breastfeed would also be giving her the judgmental side-eye if she had chosen to delay her son’s feeding and “subjected” the other customers to hearing the sounds of an unhappy, hungry, crying baby. It’s only because someone’s mammary glands are involved that this has become such A Thing.

I know that the policing and sexualizing of women’s bodies is pretty stupidly crazy even on the best of days. But still. What is it about breasts? How did these secondary-sex characteristics become so thoroughly fetishized and sexualized in the culture? Why is Anthropologie okay selling see-through shirts for the sake of showing off in the attractiveness/sexuality game, but not okay with a woman discreetly using her breasts for their actual, original biological purpose?

I know, I know: it’s the damn patriarchy again. After all, no one’s having a fit about all those exposed Adam’s apples…

* Aside from those that are obviously neglectful and/or abusive.

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Image credit: http://articles.latimes.com/2012/jul/12/nation/la-na-tt-breastfeeding-moms-20120705    (David Horsey at the LA Times.)