Mr. Mezzo and I have tickets for the late-afternoon performance of Cirque du Soleil’s Amaluna. As any self-respecting couple out-on-the-town would be expected to do, we’re going out to dinner afterwards — although it’ll be a fairly low-key affair, given how batshit-early I need to get up tomorrow morning to knock out a 50-page proposal write-through before heading out to church choir.
All of which is to say: no lengthy post on JALC tonight.
I’ve seen a couple of Cirque shows in Vegas, and one touring production that was hosted at Temple University’s basketball stadium. However, even though I saw the big Cirque tent built at the corner of Broad and Washington for many-a-year during my time in Philly, I’ve never actually had the “big tent Cirque” experience till now. So I’m intrigued.
I’ve also seen tell that Amaluna is (loosely!) based on Shakespeare’s The Tempest, which adds a whole other level of interest for me. (It’s actually that core detail which moved Mr. Mezzo and me instantly from “do we want to go?” into “hell yes, let’s pick the date!”) The fact that the show was conceived by Diane Paulus, whose revival of Hair I looooove just adds an extra extra attraction.
I wonder if this show, and my desire to say something about it, will turn out to be just the inspiration I need to “phoenix up” my other long-neglected blog.
A girl can hope — such stuff as dreams are made on….
Image credit: http://tapeworthy.blogspot.com/2012/06/shakespeare-without-words-hamlet-and.html