An Invitation to the Table

Emma Watson spoke at the UN General Headquarters yesterday. In her capacity as UN Women Goodwill Ambassador — a role to which she was appointed (invited?) in July — Watson was there to launch the HeForShe campaign, which describes itself as

a solidarity movement for gender equality that brings together one half of humanity in support of the other [half?] of humanity, for the entirety of humanity.

Or, in simpler (and more idiosyncratic) phrasing: we’re in this patriarchal soup together, and together we have a better chance of getting to the next level of cultural evolution.

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Peeping Thomas

Tucked in the back of the Philadelphia Art Museum‘s modern galleries is a peculiar, enigmatic piece by Marcel Duchamp. Etant donnes was the artist’s final work*: he spent the final two decades of his life working on the piece after telling the world that he had retired from art-making. Upon his death, the work was discovered and, as per the stipulations of Duchamp’s will, installed at the PMA never to be moved or lent out to other sites.

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